As in nature—where opposing forces like strength and softness often coexist—this piece brings together rough, coarse textures and soft, flexible qualities within a single form. I was drawn to the natural balance found in these contrasts and aimed to reflect that harmony through material and process.

​

Throughout the making, I embraced imperfections such as holes and tears as part of the work’s texture, allowing them to remain visible rather than concealing them. Using synthetic resin (epoxy) as the primary material, I added eyelets and chains—typically found in clothing and accessories—to evoke a sense of lightness and fluidity, reminiscent of fabric or leather.

​

The resulting panels are adaptable in both form and function. They can hang like curtains to add layers to a space, be combined to create new visual compositions, or be expanded into partitions that divide or define areas—potentially even functioning as furniture.

​

Ultimately, this work suggests a new kind of sensory experience: one where conflicting elements can find harmony. It is this balance—between firmness and flexibility, between roughness and delicacy—that I hope to weave into the spaces the work inhabits.

Work with Studio Writers

Client/location Boon the shop women Shinsegae MyeongDong